Cacio e Mama

May 9, 2011 · 10 comments

It’s been kind of a crazy busy time here, but the good-crazy kind (mostly): last Saturday, Susan and I spent the day at our goddaughter, Rachel’s, baby-naming in Virginia. Jumped in the car the next morning at the crack of dawn, raced to Manhattan to meet up with fellow food writers Brigit Binns, Jacqueline Church, and Jane Sigal, to compete with them on the first-ever, non-chef/restaurant team in D’Artaganan’s wild and wooly Duckathlon, where we spent the day doing things like correctly reassembling a cryovacked pig; identifying plumed birds; accurately guessing the weight of a piglet; identifying spices blindfolded; and having a team member (Jane) launch a crepe through the air off a swim fin,with the goal of catching it in the top of my toque (I did).

The Bird Brains identify all the plumed beasts correctly.

We drove back home that night, prize duck (with foie gras intact) in tow, and for the next few days, I alternately worked my fingers down to nubs to get two articles and one cookbook off to their respective editors on time, all while readying myself for The James Beard Awards on Friday night. Ultimately, I lost in my category to Barry Estabrook (congratulations Barry!) but spent the remarkable night chatting with people who are my own personal heroes — people like Dorothy  Kalins, and David Tanis and his partner, Randal Breski; Tracey Ryder and Carole Topalian and the Edible Communities home team; Amanda Hesser, and Grace Young (the latter of whom is solely responsible for my having a brace of giant, Chinese woks hanging off my kitchen wall, none of which I am pleased to say are stick proof).

 

Tortellini en Brodo

We came home on Saturday bleary-eyed and bone-tired, hungover from the combination of excitement and alcohol, and starving; the only thing to make were small bowls of tortellini en brodo with tiny meatballs — comfort food at its purest, because we knew that a few hours later, on Sunday morning, we’d have to get up again and go our separate ways — me, back to Manhattan, and Susan, up to Farmington, Connecticut — to celebrate Mother’s Day. And you can add together all that we did in the previous two weeks —- the travel to Virginia; the drive home; the Duckathlon; the deadline writing; the Beard Awards — and nothing quite punctuates them so perfectly as the gastronomical psychodrama that is our Mother’s Days, both collective and individual.

Our mothers couldn’t be more different: Susan’s mother, who is 93, likes to sit on her screened-in porch on Mother’s Day, sucking down a succesion of vodka tonics and ordering a spongey, mediocre pizza from the local, suburban, Italianesque restaurant, which pretty much makes it like every other weekend day. My mother, who is not 93, used to like to go to La Goulue — a recently-defunct restaurant on the Upper East Side of Manhattan, where New Yorkers went to pretend they were French. Susan’s mother used to like to get lavender or pink flowers for Mother’s Day, and last year, Susan planted a gigantic planter filled with lettuce seeds at the bottom step of her back stairs, so she could always have fresh greens with her dinner; my mother used to like to get things in Tiffany blue boxes, and last year, I gave her a tiny, white gold horseshoe to wear around her neck. Susan’s mother likes to dress in a cornea-burning combination of clothes, many of which come from church sales and Lord & Taylor of Litchfield (aka Goodwill). My mother likes to dress in Max Mara and Moschino and off-the-rack Jason Wu, although she is also fond of vintage Kenzo. Susan’s mother doesn’t much like to go out. My mother wants to be seen.

So, every Mother’s Day — busy or not — I spend days wringing my hands and banging my head against the wall, trying to get the perfect reservation at the perfect restaurant that’s not too quiet and not hugely expensive, but terribly fabulous. And now that La Goulue is closed, other suggestions started rolling in fast and furious: Barbuto? (Ha. Try and get a table there after the New York Times feature came out about Jonathan Waxman.) Maialino? (Danny Meyer’s new Roman restaurant? Not so much.) Locanda Verde? (“You could just call Andrew and see if he can get you in, because I can’t,” said the host. Click.) Union Square Cafe? (See Danny Meyer, above.) The Spice Market? (My mother thinks that her container of 1980 Durkee garlic powder is a spice. God forbid anything should make her mouth feel any way but asleep.) I looked and searched and decided, finally, on Beaumarchais down in the Meatpacking District, and for Mother’s Day, it was perfect: I ordered salmon tartare, which she actually ate (she generally refuses anything raw), and two salads laden with chicken, bacon, and hard-boiled eggs, because whenever I go out with my mother, I had better order a salad if I don’t want to spend the rest of the day fielding comments like “I remember back when you were a size 6….It seems so long ago!”

So, like a bunny, I dutifully nibbled on this big pile of protein-laced butter lettuces, while my mother picked the bacon out of it and declared it wonderful. By the time I paid the bill, I was ravenously hungry.

Ultimately, it was a good day: the fact that we were surrounded on all sides by French speakers staring at my mother’s spectacular, vintage Lugenes/Iris Apfel glasses thrilled her no end, and she struck up conversations with everyone. We strolled all over the Meat Packing district, arm in arm, until we wound up at Allsaints Spitalfields where my mother stunned the staff by trying on a skin-tight, pleat-waisted jacket  and looking like the showroom director she once was, not very long ago.

“You know,” one of the sales people said to me quietly, “she could be a model–”

“She was,” I replied, “and always will be.”

By the time we walked out, I was ready to eat my own arm.

Driving up the West Side Highway on my way home after dropping my mother off at her apartment, I stopped at Fairway in Harlem and picked up a bag of spaghetti, some good olive oil, and a wedge each of Pecorino Romano and Cacio di Roma. It was all subconscious, and I strolled the aisles almost robotically; I hadn’t planned on making the simple, ubiquitous heat-bursting Roman pasta dish that seems to unaccountably be all the rage lately, like when Red Wing work boots started to show up at Barney’s for $500. I didn’t call Susan up at her mother’s and ask her what she wanted for dinner: I just wanted pasta, salt, cheese, fat, and heat. A lot of heat.

So, after an insanely busy fortnight capped off by a fraught afternoon with my mother, Cacio e Pepe it was. And while Susan and I devoured this bowl of perfection, my fuzzy, exhausted brain took off on a murky, dreamlike tangent, and imagined the day a few years after the war was over, when some fabulous older lady from Lazio — maybe still dressed in her sensible Ferragamo pumps and black cardigan after morning Mass and feeling a bit flush — said oh, what the hell, and cracked a raw egg into the saute pan with some cooked bacon and the spaghetti and the oil and the mountains of black pepper, and changed the world yet again.

I’m home for two days before I head out again on Wednesday — this time to Seattle, to do some work with a writer friend; at the end of next week, I fly to Naples, Capri, and Ischia to learn about Caprese cooking, and the Neapolitan art of pizza making. Over lunch, my concerned mother asked me how much pasta I’ll have to eat while on this trip.

“Not a lot,” I told her. “Maybe just a bowl or two of something simple.”

Cacio e Pepe

(Adapted from Saveur, and Alyssa Ettinger)

It was my old/new friend, acclaimed ceramicist Alyssa Ettinger (we went to sleepaway camp together in the early 1970s, and never saw each other again until last year) who actually turned me on to the fact of Cacio e Pepe recently, by telling me that not only did she love the dish, she loved it made with whole wheat pasta, which I couldn’t fathom. Ultimately, I made this traditional tangle of peppery goodness with a lighter whole wheat spaghetti, which worked beautifully; pity that there was nothing left from which to make a frittata.

Serves 3ish

1/2 pound spaghetti, whole wheat or not

1/4 cup extra virgin olive oil

1 tablespoon coarsely ground black pepper, plus more for finishing

1/2 cup grated Pecorino Roman, plus more for finishing

1/2 cup grated Cacio di Roma, plus more for finishing

Bring a large stockpot filled with salted water to a boil, add the spaghetti, and cook for approximately 7-8 minutes, or according to the instructions on the package. After 5 minutes, carefully ladle out a cup of the pasta water into a small bowl, and set aside.

While the pasta is cooking, heat the olive oil in a deep skillet over medium heat until it begins to shimmer. Add the black pepper, spreading it out in the pan with a wooden spoon and allowing it to toast uniformly. Drain the pasta in a colander, add it to the skillet and toss vigorously with tongs so that the peppery oil coats every strand. Sprinkle in the cheeses, tossing well, and add the pasta water to the pan, a tablespoon at a time, until the mixture is creamy but not wet (you may not need the whole cup).

Serve in warm, shallow bowls with more pepper and cheese.


 

Mishka Jaeger's matzo brei

It’s a universal truth:

At best, the act of cooking the foods of our forefathers and mothers is a delicious way to remain connected to our past, and to all that is good, right, and domestically romantic in our lives.

At worst, it can result in a closed mind, a misguided palate, and the sort of cloistered gastronomical specificity that keeps us from, on the one hand, speaking the truth about Grandma’s leaden matzo balls, and, on the other, looking reality square in the face and teaching our children to trust their tongues and not lie about what they know to be good or bad. It’s sort of the culinary version of The Emperor’s New Clothes.

It’s no surprise that I’m writing this just days after back-to-back springtime celebrations, the period of time when my Aunt Thelma’s matzo brei — a tasty if exceedingly dry, tarte tatin-like concoction is hauled out, over and over again, as my cousins and I attempt to create The Real Thing, just like my aunt makes it, in her ancient, peeling, formerly stick-proof pan. According to Aunt Thelma’s recipe, it calls for six boards of matzo, three eggs, and a few chopped apples, the latter of which get cooked in enough PAM to grease every engine at the Indy 500. Once it’s inverted onto a plate, it’s ultimately a beautiful bit of business, but it is, in fact, dry. My cousin Nina, Aunt Thelma’s youngest daughter, makes it her own way, using the same sort of stick-proof pan (also peeling, also a little worse for wear having spent many meals over very high heat), but with olive oil, which imparts more of a fried sensibility to it and cooks the eggy matzo a little bit faster.

What’s so special about this dish? Is it the fact that it is so mouthwateringly delicious that we lay awake at night and dream about it over the long, harsh winter, salivating in our sleep? No. It’s the fact that it is Aunt Thelma’s Matzo Brei, and that, while the big, harsh world spins around us, it provides some level of emotional safety as everything else is in a constant state of flux, and change. Even if the dish is just sort of okay.

It took my cousin Mishka, Thelma’s oldest granddaughter, to quietly take matters into her own hands and to say “Look, if we’re going to eat this thing, let’s make it really good.” The implication wasn’t that Aunt Thelma’s original version, or Nina’s spin on it weren’t good; they were. They’ve just gotten a little bit chore-ish, and obligatory-feeling, and therefore no one dares make the major changes to the dish that it has needed: the longer matzo soak, the much slower cook. Instead, everyone just tries to duplicate the original, which is nowhere nearly as delicious as it might be, or as we honestly think it is. But last week, just a few days after having her first child — and with a sea of noisy people (us) streaming in and out of her house — Mishka pulled Susan into her kitchen, took out a proper frittata pan (it latches together and looks sort of like a flattened cataplana), and said “Watch.” Mishka took her time and cooked thoughtfully and peacefully; there was the longer soak. There was cardamom involved and a handful of diced figs and dried cherries in addition to the apples. And the result was utterly, completely spectacular, if totally different.

A few days later, Susan and I drove up to cook Easter supper for Helen, her 93-year-old mother, and a few of her cousins; the menu, which we consulted on, would be the same as it always is — mashed potatoes, green bean casserole, glazed carrots, kielbasa, and ham. A week or so earlier, I called our local butcher, Steve Ford, and ordered a smallish, bone-in smoked ham, and the fresh kielbasa, the latter of which he made himself. Over the eleven years that I’ve been in the picture, making ham for Susan’s mother’s Easter dinner has become something of a proving ground; the image of a Jewish lesbian wearing Lily Pulitzer capris and a lime green sweater, and in the oven up to her shoulders with a pig ought to be enough, really, but it never is. One year, I glazed it with an orange juice/Bourbon/ginger ale concoction; another year, the glaze involved Coca Cola and English mustard. But the only time Helen’s ever been happy was when she went shopping before we could, and I walked into her house to find a sixteen pound Cooks’ ham sitting in the kitchen sink, floating in a vat of milk.

“It gets rid of some of the salt,” she said, chewing on her bottom lip. “But really, Cooks’ is the best. The best!” Two hours after we ate this beast, which had been roasted without benefit of glaze or foil, my ankles began to leach out over the sides of my shoes, and I couldn’t get my rings off.

I wanted to say “Look, this is inedible; you shouldn’t be eating this amount of salt, and the color of the meat doesn’t exist in nature, no matter how packed with nitrates it is.” But, I couldn’t. Because, like our ancient matzo brei recipe that always manages to be a little bit dry and that has the gastrointestinal staying power of cement, a plain Cooks’ ham that tastes like it’s been dragged through the Bonneville Salt Flats is what my mother-in-law thinks is good. And perception is a very personal thing.

The Canal House Easter Ham; there's no going back

The fact that I will never, ever learn to keep my mouth shut is a family trait, and so this year, I took my cousin Mishka’s approach, and I didn’t ask permission; instead, I made the Easter ham recipe from Canal House Cooking’s Volume #6: The Grocery Store. Simmered in apple cider for a few hours (the recipe called for four hours and a sixteen pound ham, but this was much smaller), patted down with a shellack of Dijon mustard melted together with brown sugar, and then coated with toasted breadcrumbs, it was — appropriate to the holiday — completely miraculous in its unctuousness. It hit every right note, managing to be sweet, tender, juicy, and wrapped in a glaze that was both gooey and crispy, all at once, and I’ll never make ham another way. Susan’s cousin Bobbie swooned, and her husband, Shawn, ate slice after slice, proclaiming it remarkable.

Susan’s mother wouldn’t go near it; she just stared.

We were on our way out, packing the car to come home and she took me aside to give me some advice:

“Where I come from,” Helen said, “a Cooks’ ham is good enough.”

And although it pained me to do it, I had to agree.

 

 

indiebound

 

©2009, ©2010, Poor Man's Feast. All rights reserved. To reprint any content herein, including recipes and photography, please contact rights@poormansfeast.com