The Word on the Street

March 12, 2009

About 20 years ago, I was working as the book buyer for Dean & Deluca–a job that introduced me figuratively and often literally to writers who would rock my gastro-literary world: Edna Lewis, Laurie Colwin, Paula Wolfert, MFK Fisher, Joyce Chen, Jane Grigson, Alice Waters, Peter Hoffman, Elizabeth David, Colman Andrews, and so many others crossed our threshold (sometimes in book form) on a regular basis and wound up being unwitting fixtures in my life. So when it was suggested to me by one of them that I should go to cooking school, I went. Being in my twenties and having to pay the rent on my fifth floor walk-up, I had the energy to stand on my feet at the store for ten hours a day, six days a week, and attend school at night. It was glorious; it was energizing. But, I was also throwing darts at a wall, not ever knowing what would stick, or what I would do after I finished the program I was in. And when an offer was presented to me to work on the line at the now-defunct Manhattan restaurant, Eze, I got spooked: I rationalized that the hours were too long, I’d blown my knees out skiing, and I wanted, ultimately, to cook for my friends and family. I did not, however, want to create oversized plates of vertical food that you’d need a degree in deconstructive architecture in order to eat. 

So I turned the job down. I left Dean & Deluca. I went back to my job as an editor and pulled the culinary covers over my head. And I will always regret it. Today, if I had to do all over again and I lived where I do now–in a cool, smallish Connecticut town–I’d go it alone and grab my dream no matter what anyone said: I’d open a laid back place that served international breakfast food all day, its menu organized by country and written every morning on wall-hung chalkboards: Pho. Congee. Kachori. Miso soup. Ham and red eye gravy. Shrimp and grits. Bagels and lox. Kippers and eggs. Kedgeree. Cafe au lait and a tartine. Arepas. Menudo. Chocolate con churros. The stuff that real people eat in the morning, wherever they live, and whoever they are.  (In other words, f**k all of the mimosas and breakfast buffets out there, thank you very much.) 
Woulda, coulda, shoulda, says Susan Feniger, ten years my senior, and about to launch what is, to my mind, one of the best restaurant concepts going in this crazy scary economic environment. Or, frankly, any environment. 
In a March 11th LA Times article, Feniger–one of the Food Network’s first celebrity chefs, and one half (with Mary Sue Miliken) of Too Hot Tamales–told reporter Rene Lynch, “The choice was to be on my deathbed, saying  ‘shoulda, woulda, coulda,’ and I just said, ‘What am I scared of?’ and I realized I needed to do this.” 
This is Street, Feniger’s paean to international street food in all of its forms and manifestations. Why is she doing this, at a time when fewer people are dining out, and when they are, they’re not necessarily wanting to experiment on Mumbai street snacks like pani puri (crispy fried rounds stuffed traditionally with a tamarind chile mixture and meant to be eaten in one bite)? Because, she says, this kind of food is “relevant and equalizing.”
“I’m way more drawn to this idea, conceptually, that you have people from all walks of life who are enjoying the same exact thing. There’s something to seeing someone with no money enjoying the same exact thing as someone with a bunch of money.” 
Naturally, I like this idea very much, in the same way that I like standing by the window at Gray’s Papaya on West 72nd Street in Manhattan at 8 am on a weekday morning, eating the city’s finest cheap hot dog next to a Brooks Brothers-clad attorney sheepishly trying to scrape mustard off his Hermes tie before his 9 am deposition. Same idea. 
Never mind what Macaulay Conor said in A Philadelphia Story: it’s street food that’s the great leveler, not alcohol. It’s an open window into the soul of an urban culinary culture, be it in Baghdad, Beirut, or Brooklyn. And it took someone as gutsy, smart, and sensitive as Susan Feniger to pull it off in a city that’s prone to focus on trend first, and the actual food, second. Will she succeed? My prediction is yes. At a time when people have grown weary and wary of inauthenticity in all its forms, she’s doing the right thing, following her heart, and cooking with soul. What could be more delicious, or real, than that?
As for me, my international breakfast joint will remain just a good idea that, if I’d had any cahones, I’d have launched 20 years ago. Woulda, coulda, shoulda. For now, I’ll just have to settle for Street, and live vicariously. And that’s just fine by me. 


There’s a famous Laurie Colwin essay wherein the writer happens upon an elderly, sari-clad woman selling funky little breads on a street in lower Manhattan. Colwin asked what they were and the woman could only reply “Two dollar fifty cents” which was pretty cheap even by 1993 standards. Anyway, the piece goes on to recount the writer’s travails in duplicating this flatbread, which, by her description “had the aspect of a giant griddle scone and some of the texture of an English muffin.” It was spongy, she said, and flecked with little black onion seeds which sound to me like Nigella. (Nigella the spicy seed, not Nigella the spicy English food writer.)

The first time I read this piece, I was convinced that the only real flatbread I’d experienced was relatively tasteless Norwegian lefse, and really, what the hell was the point of eating something that had all the flavor of the Host? But then I reconsidered: what about pita? Lavash? Pizza? Matzo? Crumpets? My epiphany came when I went on what I thought was a focaccia jag back in the early 1990s: since none of my actual bread loaves ever came out right, I started throwing together these odd, yeasty Frisbee-like planks spotted with fresh herbs and drizzled with olive oil and sea salt. When I got home from work, the planks would take me about half an hour from start to finish–a little longer if I bothered to take my coat off. 
At the time, I was a very new editor working at a famous publishing house that had, the day I joined the staff, nine books on the Times bestseller list. For my trouble, I was paid a pathetic sum that essentially allowed me to pay the bills and do little else beyond eat pasta and read manuscripts. So, when I discovered that flatbread was incredibly cheap to make and could be wrapped around pretty much anything (even dripping stuff, like chili) thus making it perfect for a desk-bound lunch, well, needless to say it was a very exciting day in the Altman apartment. When I was single and poor, that kind of thing really thrilled me. 
These days, I’m married and while I’m not totally poor (relatively speaking), I’m still completely infatuated with yeast-free flatbreads of all kinds and more recently, skillet breads and savory pancakes. First off, they’re easy to make and they’re cheap as hell (flour+water+salt=roti; masa+water+salt=tortillas; teff+water+salt=injera).  Most of them freeze incredibly well. If you’re gluten intolerant, you can make them with rice or garbanzo bean flour (resulting in socca, or farinata). If you have bits of things hanging around in your fridge–maybe a few shrimp, some vegetables, a little bit of pork or ham or chicken–you can dump them into the pan before pouring skillet batter over them, and you’ll wind up with a close facsimile of Korean pancakes or Vietnamese Banh Xeo.  
The fact of flatbread as universal culinary/monetary lifesaver is ubiquitous; the act of making flatbread requires taking almost nothing, making something spectacular out of it, wrapping it around something even less spectacular (or not), and sometimes using it as a utensil. Consider 

Indian chapati, roti, bhaturas, parantha, poori; dhoklas from Gujarat; Sri Lankan hoppers; Bengali luchis; Algerian msemmen, which is prepared the same way as Chinese scallion pancakes (which are also actually flatbreads as opposed to pancakes); Ethiopian injera; Neapolitan pizza; Armenian matnakash; Iranian sangak; Azerbajiani Lahvash; Chinese bing; French crepes; Native American frybread; Scottish bannocks; New Mexican sopaipillas; the aforementioned Norwegian lefse; tortillas, matzos, 

and so much more. 

The greatest tome ever written on flatbreads, and how cheap, easy, and delicious they are to work into your everyday meals is arguably Jeffrey Alford and Naomi Duguid’s 1995 Flatbreads and Flavors, which is mercifully still in print. But you needn’t go overboard, the way I tend to when I develop a culinary crush. 
If you’ve got flour, water, salt, and a skillet, you’ve got the makings for some of the most parsimonious, ancient, and crave-worthy breads you’ll ever taste. 
Basic Flatbread Recipe
2 cups whole wheat flour
1 teaspoon salt
3/4 – 1 cup warm water
Optional: Toasted cumin seeds, red pepper flakes, nigella seeds
1. In a large bowl, mix together the flour and the salt. If you’re including additional spices, add them now. Drizzle in the water with one hand, and mix with the other, until the dough begins to come together as a ball. (This can also be done in a food processor.) It shouldn’t be overly wet or sticky; if it’s too dry, drizzle in more water. 
2. Turn out onto a lightly floured surface, and knead for about 5 minutes. Cover tightly with plastic wrap and let rest for an hour.
3. Remove from wrap, and divide into 6-8 equal-sized pieces of dough. On a lightly flour-dusted surface, press them flat, and roll each piece out to a disc 6 inches in diameter. 
4. Set a griddle or heavy skillet over medium high heat, and lightly brush with vegetable or grapeseed oil. Place the breads, one at a time, on the griddle, moving around periodically with a spatula. If the bread begins to balloon, press it down with the spatula, and turn over. The cooking time should be no longer than about 20 seconds, total. 
5. Remove each bread to a plate draped with a tea-towel. Cover and keep warm until their all done.
Makes about 6-8 breads
It’s virtually impossible to not eat these the minute they come out of the pan, but if you can restrain yourself, you’ll have remarkably good breads that freeze well, travel perfectly, and can be wrapped around virtually anything. 

indiebound

 

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