So my mother had her second cataract surgery yesterday, which meant that I had to be at her house the night before, which also meant that I had to take her out to dinner, since she owns no discernible cooking tools and I refuse on culinary grounds to order out. Because for me, cooking is therapy, and god knows, when I visit my mother, I need therapy.
Rare, desiccated white parsley, left, circa 1981.
(Fines Herbes, right.)
A lot of therapy.
I chose my mother’s neighborhood restaurant, Cafe Luxembourg; it’s right down the street, the bistro-style food is consistently very good and often excellent, it’s always packed (my mother likes crowds), and the odds of her seeing the Hollywood elite cooling their heels at a place where they can be left alone to eat in peace without any Graydon Carter-ian fanfare is very high.
I don’t know if this is true of all New Yorkers, but many of us don’t give a fat rat’s behind whether or not we’re dining next to Someone Famous; nevertheless, there comes a metaphysical tipping point in our lives when all this changes (this is the same tipping point that dictates whether or not we can eat without getting a small bit of something with the staying power of superglue caught in the corner of our mouths) and we officially become gawkers of a certain age. I once visited the ladies room at a fancy Upper East Side Italian restaurant and a gravelly voice from the stall next door asked me if I had any toilet paper; when the door swung open, I found myself standing side-by-side with Lauren Bacall, who was grumbling about her veal chop. If this happens to me in, say, thirty years, I might gush and trip over myself with euphoric ecstasy, if I am my mother’s daughter.
Long way of saying that on this particular night, right before her surgery, I spied Luxembourg regular Liam Neeson sitting at a nearby table with Laura Linney and a group of friends. My heart sank, but not for Mr. Neeson’s sad, recent loss; I just knew what was next.
“It’s HIM, it’s HIM; what the HELL is HE doing with HER??”
“Mom, stop–please, just eat–“
“She looks like she put on weight.”
She pushed her chicken around, batting it from one side of the plate to the other like it was the puck in a game of Knock Hockey, and kept staring. This is dinner out in Manhattan with my mother.
Given that the surgery is commonplace and the fact that she refused to be seen in public wearing a plastic eye cup, returning to Luxembourg (the restaurant, not the country) the following night was out of the question. So, after the ordeal was over and I got her home, I decided to cook. A quick fridge recon revealed a loaf of Wonderbread; half an overripe banana; several slightly crusty cheeses loosely draped in aluminum foil; and an open box of Carr’s water crackers. Once I got her settled on the couch with a cup of tea, I ran over to Fairway, which my mother is lucky enough to have situated a mere 2 blocks away, and which she never, ever visits. My goal: do some food shopping for her and fill her fridge with uncomplicated basics that she could graze on during the course of the day, which is pretty much how she always eats.
I returned home with a side of salmon from which I would make four filets (two for dinner, two to be mashed with mayo); a round of fresh mozzarella; French bread; chicken soup; canned tuna; and lemons for her; for me and Susan, a pound of enormous, black Cerignola olives from Apulia; some Peppadews; a piece of Reblochon; a pound of fresh almonds still in their husks; walnut oil; and a big bottle of utilitarian extra virgin olive oil.
There are a certain number of domestic contradictions at play in my mother’s kitchen, which make good cooking truly prohibitive. First, she owns no cookware. I recently gave her two basic saucepans, but beyond them, the top to a circa 1969 Dansk fondue pot, and one small stick-proof skillet meant for exactly one egg, she owns absolutely nothing. Second, she owns no knives other than the set of now-bent Ginsus that my late stepfather bought one night at about 3 am when he was watching television. Third, her spice rack is filled with the sawdust of the ages; my mother-in-law actually owns a can of Durkee powdered sage from the Eisenhower administration, but it’s still green.
My mother’s dried parsley is white.
Not snow-white, exactly, but sort of an off-ivory cream color that should never, ever be used in the same sentence with the word parsley.
So, parslied potatoes, if I was of the mind to make them, were out of the question. If I wanted to secretly make a tablespoon or two of compound Mazola (my mother’s butter replacement) with which to brush the salmon, I could forget about it. Even if I wanted to sprinkle some of it onto the fish itself, for a little color, I couldn’t. It would just wind up looking like the dried, minced garlic flakes from 1983 that are sitting next to the jar of desiccated tarragon on her spice rack.
I hauled out a small, stick-proof cookie sheet that I’d accidentally left there years ago, sliced the salmon into four equal filets, dusted them with a little Diamond Crystal salt and an unidentifiable substance I can only guess was pepper, drizzled them with some of the olive oil I’d bought, and roasted them at high heat. The cookie sheet warped, sending hot fish oil splattering all over the bottom of the oven; her one, lone, donkey-shaped heat-proof glove, extracted from the bowels of a drawer bursting with takeout menus, had an angry, gaping hole in its palm/mouth, making it look like Eeyore had gone three rounds with a pit bull. I thought about folding a large sponge in half and using that as a gripper, but there was not a sponge to be found in the house; she believes that they’re dirty (“only if you don’t clean them, mom”) and uses paper towels instead.
The pan was so hot and so warped that I envisioned myself having the mitts of Dr. No by the time I fed her. So, I just left the door to the oven open and let everything cool before removing it; the salmon naturally stuck to the pan and broke into pieces when I attempted plate it. I managed one partial filet, dribbled with a bit of fresh lemon juice. I brought it in to the den, where my mother sat in her robe, watching television.
“Simply delicious–” she beamed.
“Just how I like it: totally plain. But can you bring me some parsley?”
Why the Viking died: a fried preheat motherboard.
Note burn spots on right.
A little while ago, Susan decided to bake some bread. It was an experiment; she wanted to see exactly how much whole wheat flour she could work in to Jim Lahey’s now famous kneadless recipe before the result started to resemble granite.
Susan (who is a great baker) assembled the dough, and put it through its whole 18 hour rising ordeal. Then she cranked up the oven, heated up our ancient white Creuset, caressed and flopped the dough out of the bowl and into the now-hot pot, put it in to bake, set the timer, and walked away. The bell went off, she took the pot out of the oven, and we both stood there, staring. The result looked like a cross between an overweight, pallid foccacia and a single, naked layer of sponge that somehow managed to escape its fate in a Doboschtorte.
The oven was cold. So cold, in fact, that we could grab both the top and bottom elements without even warming our hands. We were mystified.
So we turned on the broiler. It didn’t work. We turned on the convection, but all it did was push around the cold oven air. We left it alone for a few hours and prayed. Then we turned it back on again. Nothing. The oven in our Viking Dual Fuel Six Burner was dead.
To back up: when we moved to our current residence five years ago, I was in the middle of testing recipes for a cookbook whose schedule had been unceremoniously moved up from 12 months to 9 months. The house dates from 1971 and so did the kitchen (see wallpaper, below). The stove, which was a Magic Chef electric range in Harvest Gold, appeared to never have been used.
Yellow, white, and silver foil kitchen wallpaper, circa 1971.
The original owners saved us a swatch, in case we wanted to match it.
Within 2 weeks, I had killed it. Apparently, all burners plus the oven were not meant to work simultaneously.
We considered our options and decided to install the Viking, which required the services of a propane company and two hapless contractors. Nevertheless, we loved it. Other commercial-style ranges had dashboards and digital readouts and looked like Lear Jet cockpits, but our Viking was about as elemental as it got without going the Garland route, which is really what we wanted. Still, I was delighted. Our first dinner was simple: seared King salmon, a tangle of spicy rabe, a bottle of Van Duzer Pinot Noir to celebrate.
So you can imagine my sadness, five years later, when the thing died. It got worse when the very nice repairman came and diagnosed the problem—and especially when he told us flat out that a certain part of the oven had been recalled a year before, but the only people actually informed of the recall were repairmen, not the consumer. Human nature being what it is, everyone out there who knew of this defect just let Viking ovens far and wide take a nosedive, and waited for that fateful $527 phonecall. This bit of information, mind you, came from the repairman.
I guess it’s like owning a Jaguar: really spectacular looking and it certainly does the job, but it also drops bits and pieces along the way when you least expect it.
Anyway, we coughed up the money–we had no choice but to fix it, of course–and now, we have our oven back again and are doing all sorts of things that normal cooks do, like searing on the stovetop and finishing in the oven; baking; roasting; even broiling. It’s a whole new world.
But is there a way around this? Is there a way to avoid the inevitably huge expense of putting in a commercial-style range for some utterly ridiculous figure that you have to incur on the front end, before it drops dead on you on the back end, a mere five years later? Yes. There is.
First: If you have to retrofit your kitchen space anyway, opt not for a commercial-style range (which is essentially just a Magic Chef with more powerful burners, cloaked in a gigantic stainless steel pantsuit), but for an actual commercial range. Not only are they a lot cheaper (I mean a lot, as in a Garland would have run us $2000 for a six burner instead of the $5000 we spent on the Viking), but they also tend to break down a lot less frequently. The only caveat (and it’s a big one) is that you have to fireproof the oven’s enclosure–walls, ceiling, and floor. If you don’t, your insurance company will laugh you out of house and home, and your mortgage bank will be very displeased.
Second: If you’re not going to retrofit your space, get a good-to-great quality home stove. I definitely prefer gas, personally, but it’s not totally necessary. And if you think for two seconds that really good cooks or professional food people would never, ever cook on white or harvest gold home stoves, guess again. Here is an Apartment Therapy blog about the home kitchen of Ignacio Mattos, executive chef at New York’s spectacular Il Buco. Check out Ignacio’s stove. Naomi Duguid and Jeffrey Alford, two of my favorite culinary anthropologists with a string of incredible books under their belts, cook (and recipe test) on a home stove. Why? Because, for one thing, they know their readers are most likely going to do the same thing. For another, a bad-ass commercial-style range with a digital dashboard just doesn’t seem up their alley. It’d be like finding out that they lived in a McMansion and drove a Hummer. Not that there’s inherently anything wrong with living in a McMansion and driving a Hummer. But it’s not for me, and definitely not them.
So maybe, like all things, this is a live-and-learn situation. Commercial-style stoves became all the rage in the late 1980s and early 1990s, when there was a lot of money kicking around and folks needed to out-big and out-glitz each other. I once worked as the editorial director for a Park Avenue-based business that operated from the playroom of a very rich lady’s triplex apartment. Although she was prenatally thin, her kitchen had two Viking six burners in it, but she never, ever (ever) cooked. If she did, and she actually needed twelve burners and two huge ovens, that would have been one thing. But she didn’t. They were there just for show, which I also guess means they never broke, and she didn’t have to spend $527 (times 2).
The flipside of this is necessity and practicality: if someone has a huge manse in the chilly and damp English countryside and kits it out with a 96″ hunter green cast iron AGA that stays on all the time and also keeps the house warm (like Tamasin Day Lewis’ setup in lovely Somerset), well, that’s another thing, too.
In truth, I’m not sure that I could ever return to four burners and an oven with that little wire that’s suspended over the food to control all the baking and broiling; that said, the 24″ Magic Chef that served me well for 9 years in my teeny Manhattan apartment was responsible for more than 200 sit-down dinners and countless successful recipe tests.
The moral of the story: it’s true what they say.
Sometimes, size doesn’t count.






