My father once told me this really bad joke: in the middle of Watergate, a sleepless Nixon has his driver take him over to the Lincoln Memorial at 3 in the morning. Nixon beats his breast: “Watergate has destroyed me. The country no longer trusts me. What do I do, oh wise one, what do I do?” And Lincoln looks down at him and says “Go to the theatre.”
A very bad joke, indeed. But also a comment on the vast metaphysical power of this great Memorial, and all that it means.

Susan and I went down to northern Virginia to visit my cousins over the holiday weekend, and on our way, we passed the Lincoln Memorial, which still gives me goose bumps no matter how often I see it; I always think of those clips of Marian Anderson and hearing stories of how she sang for my mother’s Brooklyn first grade class right before the DAR made the moronic decision to not let her perform for an integrated audience at Constitution Hall, and thanks to FDR and Eleanor, she wound up at the memorial instead. I remember, too, those pictures of Mary Travers, looking pissed off and hotter than hell in that gorgeous black shift, bobbing and weaving in front of Lincoln’s statue during the 1963 March on Washington for Jobs and Freedom.

But mostly, I remember how, in 1974, my 73-year-old Brooklyn-born grandmother raced up the steps of the Memorial, leaving me and my bewildered parents behind, huffing and puffing in the May heat and humidity. She had never been out of New York before, so my father decided to include her on our family trip. We shared a room, and she was so excited to see the Lincoln Memorial that day that she woke up at 5 am and quietly stared out the window until it was 6 and she’d decided that I’d slept enough for an 11 year old. I can still see her now, in her gold octagonal glasses, her flowered quiana shirt, and the black polyester slacks that she’d only recently started wearing because the Women’s Movement said she could. One minute she was standing next to me looking up at the majesty that is the Memorial, and the next she was running up step after step, leaving me on the sidewalk to watch her, my mouth hanging open. Lincoln was that important to her, and she couldn’t wait.
It’s been a crazy few weeks where I live, and seeing the Memorial really brought me back down to earth for a lot of reasons. There’s no delicate way to say this, but over recent days, Susan and I have spent a lot of time hashing out my complicated relationship with an old college friend who, last I saw her in the 1990s, turned out to be in possession of some Nazi memorabilia (actually, she wasn’t; her husband was, and she just seemed to ignore it) and firearms; we were recently back in touch, and after much back and forth about why I disappeared so long ago having seen this stuff in her house, we both more or less decided that it would be best to not be in contact anymore. There’s the Nazi stuff, which is a very big problem for me and my family; there are the firearms, which I just can’t cope with on any level and which, together with the memorabilia, make for a scary combo; and there’s the fact that, after years of silence, she wanted to know nothing whatsoever about my decade long relationship with and marriage to my partner. Weirder still was the refusal to acknowledge on any level why, exactly, those items I saw so long ago shook me to my very core. She either didn’t get it, it just didn’t matter to her, or she was hard pressed to travel down that bumpy introspective road that might end with her looking in the mirror, long and hard. And that’s a tough thing to do. The whole ordeal left me queasy.

The flipside of all this hit me right after I drove past that great memorial to a man who defined the concept of freedom in the most profound of ways; I totally take for granted the fact that I live in a country where I have the right to free expression. Where I can sit right down at my computer and pretty much say whatever the heck I want to say without winding up in a soccer stadium someplace facing a firing squad. Where I can keep all manner of memorabilia in my house (disturbing or not) and no one’s going to come along and toss me in the pokey. (I draw the line at guns, because I just don’t believe in them unless you happen to live in a place where you have to hunt for survival.) Where, in certain places, I can marry the love of my life. But not in California. 
When Memorial Day day came around and Susan and I decided to make dinner for my cousins, this confluence of disturbance and disappointment, and anger and bitterness and pride that I live in a country that’s such a mass of contradictions—it all sort of backed up on me. I was mad. I wanted to grab my old friend and say “who are you? What happened to you?” but I couldn’t. Because so long as she doesn’t hurt anyone, she can say and think whatever the bleep she wants. And there’s nothing I can do about that. 
And so, on the day when everyone and their brother fires up their Weber and incinerates pre-formed beef patties and hot dogs, and someone always forgets that chicken shouldn’t be cooked rare, and that potato salad shouldn’t sit in the sun, I decided to do a little grilling of my own: I made Tandoori from a locally-raised chicken, and spicy, chaat masala-and-lime-dipped corn on the cob. I wanted to follow the culinary tradition of the holiday; but I also knew that the sharp-spiced dishes would make me feel better, and kill the bitter tinge of disappointment still left in my mouth. 
Simple Tandoori Chicken
Serves 4, with leftovers
I’ll tell you right now: I cheated. I bought a very high quality tandoori spice blend (because I hadn’t thought to travel with my entire Indian spice collection), and it worked perfectly. If you’re in a bind, it’ll do in a pinch.
1/4 cup plain yogurt
2 tablespoons tandoori spice mixture
2 tablespoons white vinegar
1 tablespoon lemon juice
1 teaspoon kosher salt
1 4-pound chicken, cut into 8 pieces, skin removed
1. In a large bowl, combine the yogurt, spice mixture, vinegar, lemon juice, and kosher salt, and blend well.
Coat the chicken well with the mixture, cover with plastic wrap and let marinate in the fridge anywhere from 2 hours to overnight. 
2. Remove the chicken and let it come to room temperature. Meanwhile, build a hot fire in your grill (if using a gas grill, get it as hot as you can). 
3. Grill the chicken pieces over direct heat until cooked through; remove to a platter, cover with foil, and let rest while you make the corn. 
Chaat Masala-and-Lime Dipped Corn on the Cob
Adapted from Suvir Saran’s American Masala
This remarkable recipe came by way of Suvir Saran, whose food I would crawl over broken glass to eat. Forget the butter and salt; once you taste the combination of sweet and sour that marks this dish, you’ll never, ever go back. I know I won’t. Leftover corn can be sliced off the cob and turned into corn cakes; top them with tamarind chutney and you’ll be a happy camper.
Serves 4 with leftovers
8 ears of the freshest corn you can find, shucked, silks removed
4 tablespoons of Chaat Masala*
Lime wedges
1. Before the grill has a chance to die down, put the cobs directly on the grate and turn repeatedly to make sure that they don’t burn. (Or bring a large pot of salted water to a boil, and cook the corn to personal preference; I prefer mine juicy, but still with some crunch.) Roast the corn on the grill until tender.
2. Provide each diner with a small bowl of chaat masala and a wedge of lime. Dip the lime into the spice mixture and then squeeze it along each cob.
Nothing short of remarkable.
*Chaat Masala is a traditional spice mixture meant to be sprinkled on Indian street food, or chaat. There are as many versions as there are kinds of chaat, but the one I make comes from Madhur Jaffrey, and contains mouthwatering, pungent mango powder as a primary ingredient. 

It’s the middle of May, unseasonably chilly and horridly rainy where I live, and this is supposed to be asparagus season, but it’s not. Yet. Nothing to be done but just wait, patiently

I have wonderful neighbors, Joan and Neale, who live across the street from me in a house not dissimilar to mine. The difference, apart from the fact that it’s extremely neat and inhabited by someone who is 6 foot 7 (Neale), is that their home faces directly into the sun, which it gets for many uninterrupted hours every day. Our house, on the other hand, is nestled in a grove of many half-dead pines, a thicket of catmint that draws bees from all over the state, and an ever-increasing growth of poison ivy. It’s a little like comparing the Cleaver residence to Grey Gardens
One of the other differences is that our home is on a steep slope, so when we built our garden boxes a few years ago, we knew that we’d have watering issues; instead of being absorbed into the soil, it just runs right out of the boxes, and down the little slope. Neale and Joan, on the other hand, have a perfectly flat, level, large garden space which they’ve divided: about a third of it is devoted to the berry bushes that they put in specifically so that the neighborhood kids can pick to their heart’s content without risk of getting into poison ivy. And about two thirds of it is packed with every conceivable kind of vegetable, including asparagus. I am deeply envious of this fact, so much so that last night I dreamt that a few lone stalks were poking up through a chunk of half-barren, unworkable, rocky soil situated right next to the little stone Buddha that marks the spot where my cats Cleo and Viola are buried, deep in the backyard. I took it as a sign. 
Asparagus is one of those things that requires time and patience–long, hard, patience. Being an impatient city girl, I assumed that you put in the “crowns” during the winter, and just like that, you wound up with the vegetable pushing northward through the earth, ready for picking. Of course, I was wrong. Asparagus is never in a rush, and it may not show up for a few years after planting (which I also gather is a gigantic pain in the behind, or at least, the back). By the time it deigns to make an appearance, you could be living someplace else, or retired and buying a condo in Boca.
The other problem with growing asparagus is that unless you know exactly what it looks like, it’s easy to confuse its foliage for weeds, and either pull them or weed-whack them down to little nubs. When my partner, Susan, first moved back to Connecticut from a rambling 18th century farmhouse in Pennsylvania about twelve years ago, she did just that: there, in her flat and sprawling sunny backyard in the northwest corner of Connecticut lay an asparagus patch that had been cultivated lovingly for years by a peculiar little woman who also grew cannabis and saved her dog’s hair to knit into a sweater. By the time I moved in though, the cannabis and the asparagus patch were both gone, having been mowed to bits by Susan in a rare burst of tidy efficiency. 

The stuff that Susan mowed over. 
Oh well.
So I’ve never actually tasted asparagus that’s been cut from the ground moments before cooking; I see older bunches of the stuff in the market at totally ridiculous prices, the middle stalks already growing flaccid and slimy after surviving the long trip up from Peru. But now, every time I walk our dog around the block, I stop at Neale and Joan’s garden fence, and scour the beds for some glimmer of hope. So far, nothing. In my dreams, as they say (literally). Local eating, I guess, teaches watchful patience; it’s also resulted in my noticing things around me that I’ve previously moved too fast to have time for—the fragrance of Lilies of the Valley in another neighbor’s yard; the sweetness of the air; the feeling of the sun on my face. It could be because I’m waiting for the asparagus. Or it could be in response to my working in a windowless, airless shoebox of an office during the day. Either way, I’ll take it. 
I’ll just continue to be patient. And when the asparagus emerge, I’ll beg my neighbors for a few stalks and make two dishes that are profoundly simple yet gloriously earthy and robust: pan-roasted asparagus topped with a fried egg and a few shavings of Parmigiana Reggiano, and Lucy Vanel’s incomparably French asparagus potage, the recipe for which calls for the use of pungent sorrel, and “one old potato.” I look forward to them on late spring evenings, with glasses of cold chablis. 
Until then, I’ll watch and wait. 
Pan-Roasted Asparagus Topped with a Fried Egg

I first made this dish a few years ago, on a night when Susan was in the city and I was alone in the kitchen with half a bunch of fat, local asparagus from a nearby farmer’s market, and a carton of eggs. The result was delectable and comforting; the dish is elevated to magnificent if you use the freshest asparagus and eggs you can find. Swap out the Parmigiana for nuttier Pecorino di Pienza if you can find it; toss the roasting asparagus with fresh, seasonal mushrooms, if you’re feeling flush. A dash of Mark Bitterman’s crazy good truffle salt wouldn’t hurt either. 
Serves 1-2
1/3 pound of fresh asparagus, woody ends snapped off and the bottom third gently peeled
2 tablespoons extra virgin olive oil, divided
1 large chicken or duck egg
Fresh Parmigiana Reggiano
Coarse salt 
Freshly ground black pepper
1. Preheat your oven to 400 degrees F. Place the asparagus in an oven proof pan and drizzle with 1 tablespoon of oil. Roast in the oven until knife-tender for approximately 20-30 minutes depending on the thickness of the asparagus, shaking the pan frequently. 
2. In a small, nonstick omelet pan, gently warm 1 tablespoon of oil over medium-high heat. When the oil begins to shimmer, crack the egg directly into the pan and lower the heat to medium. Fry the egg until the whites are firm and the yolk is still runny, about 5 minutes. (Mother-in-law’s trick: Tilt the pan, and spoon some of the hot oil directly over the yolk.) 
3. Top the asparagus with the fried egg, over which you’ll grate the Parmigiana (as much or as little as you’d like). Sprinkle with salt and pepper, and eat straight out of the pan if you’re alone, or a heathen, like me. 

I discovered Lucy Vanel’s terrific blog last year when Apartment Therapy linked to this recipe for one of the simplest, most exquisitely parsimonious potages I’ve ever tasted. Lucy lives in Lyon, so I wasn’t surprised to see that this silken, bright green soup is pureed, strained, and pureed again: this is the secret to a velvety consistency, and is understood as common French soup-making practice. The result is glorious and the flavor a lovely springtime mosaic of earthy and bright, thanks to the addition of sorrel. Thank you to Lucy, for letting me reproduce this here. 
Serves 2-3

1/2 pound of asparagus
1 old potato
1 spring onion
1 small new carrot
1 tablespoon butter
a pinch of fresh thyme
2 european bay leaves or 1/2 california bay
sea salt
1/2 a bunch of sorrel, about 16 leaves
about 2 cups chicken stock (optional)

1. Wash your vegetables and herbs, and put the thyme and sorrel aside. Cut the ends off the asparagus but don’t bother to remove any rough spots from the stems. Slice them into 1 inch lengths. Roughly slice your spring onion, including the green part, if it’s fresh enough, peeled potato, and carrot into chunks. In a two quart saucepan, melt the tablespoon of butter, and once the foam subsides, add add the chopped asaparagus, onions, potato, & carrot. Over medium heat, sweat the vegetables until they begin to soften, about 5 mintues, stirring regularly. Toss in the thyme and the bay leaves.


2. Add liquid to cover. If you don’t have home made chicken stock, use water. (We used water today – don’t be tempted to add bouillon powder or canned stock!) Bring to a boil, then reduce the heat and keep at a rather lively simmer for 15 mintues. At the end of the 15 minutes, remove the thyme and bay leaves. Use the blender to puree the soup thoroughly. Strain the soup through the chinois to remove any rough fibers.

3. Rinse the pan, return the puree to it, put it over the heat again. Roll your sorrel leaves into a cigar and quickly slice thinly into ribbons. Bring the asparagus puree to a simmer over medium heat and stir in the sorrel leaves. When the leaves soften and lighten in color (about a minute), puree the soup again, taste, and season with sea salt only. Serve with crusty bread. This goes well with a simple wine like a Macon on the dry side or petit Chablis.
indiebound

 

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